Ordering printed T-shirts sounds simple until you actually do it. You choose a design, pick a colour, decide a quantity — and then discover that the fabric changes the print, the quantity changes the method, the method changes the price, and the artwork you sent cannot be used at the size you wanted.

This guide explains the whole decision, in order, the way we explain it across the counter at our Jayanagar unit. It covers fabrics, GSM, printing methods, garment types, artwork, pricing factors, timelines and the mistakes that cost people money. Kapricorn Prints has produced custom T-shirt printing in Bangalore for a decade — corporate uniforms, college fests, events, teams, promotions and one-off personal gifts — all printed in-house.

If you already know your garment and just need to choose a process, skip ahead to the printing methods section. If you are ordering printed T-shirts for the first time, read from the top.

What Is Custom T-Shirt Printing?

Custom T-shirt printing is the process of applying artwork — a logo, name, graphic, slogan or photograph — onto a blank garment. The blank is manufactured first; the print is applied afterwards. That sequence matters, because almost every constraint in this guide follows from it.

The print does not simply sit on “a T-shirt”. It bonds to a specific fabric, at a specific temperature, over a specific area. A process that produces a soft, permanent result on ring-spun cotton may crack on polyester. A method that is economical at 500 pieces is uneconomical at five. And a design that looks sharp on screen may not hold detail once it is reproduced at 11 inches wide on a textured surface.

There is a useful distinction between printing and decorating. Printing lays ink or pigment onto the surface. Decorating is broader — it includes embroidery, appliqué and vinyl, which attach material rather than ink. Both are covered here, because the right answer for a corporate polo is often not a print at all.

If you want a plain-language primer before the detail, our earlier explainer on what exactly T-shirt printing is covers the basics without the buying decisions.

Types of T-Shirts and Garments

Before choosing a method, choose the garment. The blank determines what is possible.

Round neck (crew neck)

The default. Widest range of colours, fabrics and sizes, lowest cost, and compatible with every printing method. If you have no specific reason to choose otherwise, this is the garment.

Polo (collar) T-shirts

A collar changes the perception of a garment from casual to staff-facing. Polos are the standard for retail teams, hospitality, events staff, showroom personnel and corporate golf days. They are usually pique-knit, which has a textured surface — this affects fine detail and pushes many polo jobs toward embroidery rather than print.

V-neck

Cosmetic variation on the crew neck. Slightly reduced usable print height at the chest. Rarely ordered in bulk corporate work.

Full sleeve

Useful for winter events and for brands wanting sleeve prints. Sleeve printing is a separate print position and is priced as such.

Hoodies and sweatshirts

Heavier garments, typically fleece-backed. Popular for college fests, winter merchandise and team wear. The pocket and hood create uneven surfaces, so print placement needs more care than on a flat tee.

Jerseys and sportswear

Almost always polyester, almost always sublimated. See the section on team jerseys below.

Tank tops and vests

Narrow print area. Fine for gym and event merchandise; check artwork width early.

Cotton vs Polyester: Choosing the Fabric

This is the single most consequential choice you will make, because it silently eliminates printing methods.

Cotton

Cotton breathes, feels soft, and accepts water-based and plastisol inks readily. It is the right default for corporate uniforms worn all day, for events in Bangalore’s warmer months, and for anything where comfort determines whether the shirt gets worn twice or never again.

Within cotton there is a real quality ladder. Open-end (carded) cotton is coarser and cheaper. Ring-spun cotton is combed and spun finer — noticeably softer, better print surface, higher cost. Combed cotton and bio-washed finishes sit higher again. If a quotation looks unusually low, the fabric grade is usually where the difference lives.

Cotton’s weaknesses: it holds moisture, it creases, and it shrinks on first wash if not pre-treated.

Polyester

Polyester is synthetic, wicks moisture, dries quickly, resists creasing and holds colour well. It is the correct choice for sports, running events, outdoor activity and any application where sweat management matters more than hand-feel.

Its defining property for our purposes: polyester accepts sublimation, and cotton does not. Sublimation bonds dye into polyester fibres permanently. On cotton it simply will not hold.

Poly-cotton blends

Blends — commonly 60/40 or 65/35 — attempt a middle path: some breathability, some durability, less shrinkage, lower cost. They print acceptably with most methods but excel at none. For large corporate orders where cost control matters and garments are worn occasionally rather than daily, blends are often the pragmatic answer.

A short decision rule

Worn all day, indoors, comfort matters: cotton. Physical activity, sweat, outdoors: polyester. High volume, occasional wear, cost-sensitive: blend. Full-garment colour or all-over graphics: polyester, because sublimation is the only process that does it properly.

The GSM Guide: What T-Shirt Weight Actually Means

GSM means grams per square metre. It measures fabric weight, not quality — a common and expensive misunderstanding. A poorly made 200 GSM shirt is worse than a well-made 160 GSM one. What GSM reliably tells you is thickness, opacity and drape.

Practical ranges

140–160 GSM: Light. Suitable for promotional giveaways, large-volume event tees and hot-weather wear. Thin enough that dark skin tones or inner garments may show through light colours. Lowest cost.

160–180 GSM: The workhorse range. Most standard round-neck tees sit here. Good balance of cost, comfort and print surface. This is where the majority of corporate and event orders land.

180–200 GSM: Premium feel. Better opacity, better drape, holds shape longer. Appropriate for uniforms worn regularly, merchandise that is sold rather than given away, and client-facing staff.

200–220 GSM and above: Heavy. Substantial hand-feel, strong opacity, excellent for premium merchandise. Warmer to wear — worth considering carefully for Bangalore summers.

240 GSM upward: Sweatshirt and hoodie territory.

How GSM interacts with printing

Heavier fabrics generally give a flatter, more stable print surface. Very light fabrics can distort under the tension and heat of screen printing, and thin light-coloured garments show print shadowing from the reverse. If you are printing a dense, dark design onto a light shirt, do not go below roughly 160 GSM.

Printing Methods: An Overview

Six processes cover essentially all T-shirt decoration in Bangalore. Each exists because it solves a problem the others cannot.

Screen printing

Ink is pushed through a mesh stencil, one screen per colour. Setup is slow and per-colour; production afterwards is extremely fast. That cost shape — high fixed setup, very low per-piece — is why screen printing in Bangalore dominates large runs of a single design. It produces the most durable, most opaque result on cotton, and it handles solid brand colours better than any digital process. It is a poor fit for photographs, gradients, or orders where every shirt differs.

DTF (Direct-to-Film)

Artwork is printed onto a film, coated with adhesive powder, cured, then heat-pressed onto the garment. DTF’s advantage is indifference: it works on cotton, polyester, blends, dark garments and light ones, with no pretreatment and no per-colour setup. That makes it the practical default for small quantities, complex artwork, mixed garment types and personalised runs. Its trade-off is hand-feel — the design sits as a thin flexible layer on the surface rather than sinking into the fabric. Our earlier piece on how DTF printing is changing the apparel industry covers why it spread so quickly.

DTG (Direct-to-Garment)

An inkjet process that sprays water-based ink directly into the fibres. On suitable cotton it produces the softest result available for photographic artwork — the print becomes part of the cloth rather than a layer on it. It requires pretreatment on dark garments, performs best on high-cotton fabrics, and slows down considerably at volume.

Sublimation

Dye converts to gas under heat and bonds into polyester fibres. The result cannot peel, crack or fade in any normal sense, because there is no layer to peel — the fibre itself is dyed. It is the only method that credibly does all-over and edge-to-edge printing. It works only on polyester, and only on light or white bases. Sublimation T-shirt printing is the standard for jerseys and performance wear.

Heat transfer vinyl

Coloured vinyl is cut to shape and pressed on. Excellent for names and numbers, single-colour text and small quantities. Not viable for detailed or multi-colour artwork.

Embroidery

Thread stitched into the garment. Covered in its own section below.

DTF vs DTG vs Screen Printing: The Short Version

Most first-time buyers are really asking one question: which of these three should I use? The short answer depends on three variables — quantity, artwork complexity, and fabric.

Choose screen printing when you are ordering a meaningful quantity of the same design in a small number of solid colours, on cotton. The setup cost amortises and nothing beats it on durability or per-piece economics at volume.

Choose DTF when quantities are low, artwork is detailed or full-colour, garments are mixed, fabrics vary, or every piece needs a different name. It is the most forgiving process and the least fussy about what you throw at it.

Choose DTG when the artwork is photographic, the garment is high-cotton, and hand-feel is the priority — premium merchandise rather than giveaways.

That is the summary. The full breakdown — cost curves, wash durability, fabric compatibility, and the situations where the obvious answer is wrong — is in our dedicated comparison: DTF vs DTG vs Screen Printing: Which T-Shirt Printing Method Is Best?

Embroidery vs Printing

Embroidery is not a printing method and should not be evaluated as one. It stitches thread into the fabric, producing a raised, textured mark with genuine physical presence.

When embroidery is the right answer

Polo shirts. Corporate uniforms. Caps. Jackets. Anything worn by staff who represent the business to customers. Embroidery reads as permanent and considered in a way print does not, it survives industrial laundering, and it does not degrade with wear. On pique-knit polos it also sidesteps the texture problem that makes fine printing difficult.

When embroidery is wrong

Large designs — cost scales with stitch count, so a big graphic becomes expensive fast. Fine detail and small text, which thread cannot resolve below a certain size. Photographs and gradients, which it cannot reproduce at all. Lightweight fabrics, which pucker under dense stitching.

The practical rule

Chest logo on a polo or uniform: embroider. Full-width graphic on a tee: print. Many organisations do both — embroidered logo on the chest, printed graphic on the back.

Corporate Uniforms and Company T-Shirts

Corporate orders behave differently from every other category, because the garment is worn repeatedly, in front of customers, by people who did not choose it.

Three things matter more than they do elsewhere. Consistency: the shirt issued to a new joiner in eleven months must match the one issued today, which means fabric, shade and print position need to be documented and repeatable. Durability: a uniform is washed constantly, so process choice should assume wash cycles in the dozens. Comfort: an uncomfortable uniform quietly stops being worn, and the entire investment evaporates.

For customer-facing staff, an embroidered polo is usually correct. For internal teams, warehouse staff and field teams, a printed round-neck in a mid-weight cotton is more practical and considerably cheaper. Corporate T-shirt printing is one of our largest categories, and most of the work is in getting the specification right once so it can be repeated.

On why it is worth doing properly: consistent staff apparel does measurable work for recognition — we covered the reasoning in how corporate T-shirts improve brand visibility, and the broader identity argument in how T-shirt printing shapes brand identity.

Joining kits and onboarding

Many Bangalore companies now issue a branded tee as part of an onboarding kit. These are typically ordered in size-graded batches once or twice a year, alongside other branded items — see corporate gift printing if the tee is part of a wider kit.

Event T-Shirts

Event tees are governed by a deadline that does not move. Everything else is negotiable; the date is not. That single fact should drive every decision.

Order earlier than feels necessary. The failure mode is never the printing — it is the approval loop. Artwork gets revised, a sponsor logo arrives late, someone changes the shade of blue, and three days evaporate. Lock artwork first, then order.

Keep the design simple and the colour count low. A two-colour screen print on a light shirt is fast, cheap and robust. A twelve-colour gradient across the full front is none of those things.

Order a size spread wider than your headcount suggests. Attendance estimates are wrong in both directions, and a small buffer of L and XL costs far less than a reprint. And confirm one physical sample before the run — not a screen mockup.

Promotional T-Shirts

A promotional tee has one job: to be worn in public by someone who is not paid to wear it. That reframes the whole brief.

Nobody wears an uncomfortable shirt, and nobody wears a billboard. The tees that actually get worn have a restrained brand presence — a chest logo, a sleeve mark, a design someone would plausibly choose — rather than an oversized logo across the front. A shirt worn fifty times quietly beats a shirt worn once loudly, and the arithmetic favours spending slightly more on fabric to get there.

Light GSM keeps unit costs down for mass giveaways, which is legitimate when the shirt is a token. But if the goal is genuine visibility, a mid-weight ring-spun tee in a colour people like is the better investment. Where the tee is one item in a broader campaign, promotional product printing covers the rest of the mix.

College Fest T-Shirts

Bangalore’s college calendar drives a large, intensely seasonal volume of T-shirt work, and fest orders have a recognisable shape: a fixed budget, a large committee, a compressed timeline and a design that changes until the last possible moment.

Practical advice from having printed a great many of them. Appoint one person to approve artwork — committees do not converge, individuals do. Collect sizes before ordering, not after; guessing a size spread across 400 students produces a pile of unwearable smalls. Screen printing is almost always the right process at fest volumes on a fixed budget, provided the colour count stays disciplined. And build a buffer of at least a week before the fest date, because the artwork will change.

Hoodies and sweatshirts sell better than tees for winter fests and carry a higher perceived value, which matters if the committee is recovering cost through sales.

Team Jerseys and Sports T-Shirts

Jerseys are a distinct product, not a printed T-shirt. They are polyester, they are sublimated, and the print is dyed into the fibre rather than laid on top — which is the only way a garment survives a season of sweat, friction and washing without the numbers cracking off.

Sublimation also removes the constraint that governs everything else in this guide: because the dye enters the fibre, there is no cost penalty for colour count or coverage. A full-sleeve, edge-to-edge, twelve-colour design costs the same to sublimate as a simple one. It is the one place where ambitious artwork is free.

Names and numbers can differ on every piece at no meaningful extra cost, which is why jersey printing in Bangalore is quoted differently from ordinary T-shirt work. Collect the name-and-number list early and confirm spellings in writing — a misspelt jersey is a reprint, not a correction.

Couple and Personalised T-Shirts

Couple tees, family sets, birthday shirts and anniversary gifts are almost always small quantities of individually different designs — the exact scenario screen printing handles worst and DTF handles best. There is no setup to amortise across two shirts, so DTF is nearly always the process.

The design problems here are aesthetic rather than technical, and they are covered properly in our piece on design tips for couple T-shirt printing. The short version: matching does not mean identical, keep text short, and check how the pair reads together rather than judging each shirt alone.

Single pieces are entirely normal for this category. You do not need a minimum order for a personalised gift.

Polo T-Shirts

Polos occupy a specific position: more formal than a tee, less formal than a shirt. They are the default for retail floors, hospitality, showrooms, events staff and corporate outings.

Most polos are pique knit — a textured, slightly raised weave that is comfortable and durable but hostile to fine print detail. This is the main reason polo work skews heavily toward embroidery. A chest logo embroidered onto a pique polo looks deliberate; the same logo printed onto it often looks like a compromise.

Where polos are printed, keep designs simple and away from the placket and collar seams. Sleeve prints and back prints work well; a large front print on a polo rarely does.

Hoodies and Sweatshirts

Heavier garments, fleece-backed, priced well above tees. In Bangalore they are seasonal — genuinely useful for a few months, and popular year-round for merchandise and college wear regardless of climate logic.

Print placement needs more thought than on a flat tee. The kangaroo pocket creates a raised seam that a heat press cannot flatten, so front prints usually sit above it in a narrower band than people expect. Hood drawstrings and side seams limit large wrap-around designs. Back prints have the most usable area and are often the better canvas.

Zipped hoodies split the front print down the middle, which rules out most front graphics — plan for a left-chest mark and a back print instead.

Bulk Ordering

“Bulk” is not a fixed number. It is the point where setup cost stops mattering — which in practice means the point where screen printing overtakes DTF on price. That crossover moves with colour count, garment type and artwork, which is why it is quoted rather than published.

What reliably changes at volume: fabric sourcing becomes a lead-time factor rather than a shelf pick, so unusual colours and sizes need earlier confirmation. Size grading becomes a real planning exercise. Sampling becomes non-negotiable — approving a physical sample before a 500-piece run is the cheapest insurance available. And tolerance becomes relevant: across a large run, minor variation in print position is normal and is not a defect.

Split deliveries are usually possible where a full quantity is not needed at once. Confirm this at quotation stage rather than afterwards.

What Affects T-Shirt Printing Cost in Bangalore

There is no single rate, and any quote given before these variables are known is a guess. Printing prices depend on:

• Garment type — round neck, polo, full sleeve, hoodie, jersey
• Fabric — cotton grade, polyester, blend
• GSM
• Garment colour — dark garments cost more to print on
• Printing method
• Quantity
• Number of colours in the artwork
• Artwork complexity
• Print size
• Number of print positions — front, back, sleeve, nape
• Personalisation — names, numbers, individual designs
• Size spread
• Packaging
• Turnaround time
• Delivery location
• GST

Two of these surprise people. Garment colour: printing onto a dark shirt requires a white underbase — effectively a second print — so the same design costs more on black than on white. Print positions: a front and back print is close to two prints, not one print with a bonus.

A single personalised tee and 500 corporate tees with one repeated logo are priced on completely different logic. For an accurate quotation, share: quantity, garment type, fabric, GSM if you have a preference, garment colour, artwork, print size, print positions, size breakdown, required delivery date, and whether every piece needs different text. Kapricorn Prints issues GST invoices, and quotations can separate garment, printing and delivery so you can see where the money goes.

Artwork Preparation

More orders are delayed by artwork than by production. Getting this right is the highest-leverage thing you can do.

Resolution and scale

Artwork must be supplied at the size it will be printed, at a minimum of 300 DPI. A logo pulled from a website is typically 72 DPI and a few hundred pixels wide — it may look perfect on screen and be unusable at 10 inches across. Enlarging a low-resolution file does not add detail; it enlarges the deficiency.

Vector versus raster

Vector artwork (AI, EPS, PDF, SVG) is defined mathematically and scales to any size without loss. It is the correct format for logos, text and flat graphics, and it is essential for screen printing, where each colour must be separated cleanly. Raster artwork (PNG, JPG, TIFF) is a fixed grid of pixels and is appropriate for photographs.

If you have your logo in vector, send the vector. If you do not know, ask whoever designed it — this one question prevents most artwork problems.

Transparency and background

Supply artwork with a transparent background unless the background is intentionally part of the design. A JPG cannot hold transparency; a white box around a logo will print as a white box on a coloured shirt.

Fonts and text

Convert text to outlines or curves before sending. Otherwise the file opens with a substituted font and the design changes without anyone noticing. Very thin strokes and small text below roughly 8pt do not survive most printing processes on fabric.

If you are still shaping the design rather than preparing a finished file, our guide on choosing the right design for custom T-shirt printing covers the decisions before the file.

Colour Selection

Screen colour and fabric colour are different physical phenomena. A monitor emits light; a shirt reflects it. The two will never match exactly, and expecting them to is the source of most colour disappointment.

For brand-critical colours, specify a Pantone reference rather than sending a JPG and hoping. Screen printing can mix to a Pantone target with real accuracy. Digital processes — DTF and DTG — approximate it within a CMYK gamut, and some Pantone colours simply sit outside what CMYK can reach. Bright oranges, deep navies and certain greens are the usual casualties.

Garment colour also shifts the result. The same ink reads differently over grey than over white, and any print on a dark garment sits on a white underbase whose opacity affects the final shade. If colour accuracy genuinely matters, ask for a sample on the actual garment — not on paper, and not on a different shirt.

File Formats

• AI / EPS — vector. Ideal for logos and flat artwork. Best possible input for screen printing.
• PDF — can hold vector or raster. Confirm which; a PDF containing a low-resolution image is still low resolution.
• SVG — vector, web-native. Fine for logos.
• PNG — raster with transparency. Acceptable for DTF and DTG at 300 DPI at final print size.
• TIFF — raster, high quality, large files. Good for photographic work.
• JPG — raster, compressed, no transparency. Usable only for photographs, never ideal for logos.
• CDR — CorelDRAW. Widely used locally; send the version number.

Send the original working file where you can. A flattened export discards the layers and editability that make small corrections quick.

Delivery Timelines

Kapricorn Prints produces in-house at Jayanagar, which removes the vendor hand-offs that cause most delays. Standard jobs typically complete within two to three working days once artwork is approved and stock is confirmed.

The phrase doing the work there is once artwork is approved. The clock starts at approval, not at enquiry. Orders that take a week usually spent five days in revisions.

What extends a timeline: unusual garment colours or sizes requiring sourcing, large size-graded runs, embroidery digitising, multi-position printing, individual personalisation across many pieces, and any change after approval. Urgent work can often be accommodated — tell us the deadline at enquiry rather than after the order is placed, because the deadline changes which process we recommend.

Common T-Shirt Printing Mistakes to Avoid

Nearly every problem we see traces back to one of these.

Approving on screen instead of on cloth. A mockup shows layout, not colour, hand-feel or print texture. For any order of consequence, approve a physical sample.

Sending a website logo. Low-resolution, wrong colour space, often with a baked-in white background. Ask your designer for the vector.

Choosing fabric by price alone. The cheapest blank is cheapest for a reason, and an uncomfortable shirt does not get worn — which makes it infinitely expensive per wear.

Guessing the size spread. Collect actual sizes. Indian size grading varies between suppliers, so confirm against a size chart rather than assuming last year’s numbers transfer.

Ignoring garment colour when budgeting. Dark garments need an underbase and cost more. Discovering this after the budget is fixed is unpleasant.

Changing artwork after approval. Screens are burned and films are printed at approval. Changes after that point reset the clock and the cost.

Leaving no buffer. The single most common cause of a missed event date is an approval loop that ran long, not a printer that ran late.

Overloading the design. Every extra colour costs money in screen printing, and every extra element weakens the message. Restraint is cheaper and usually better.

Care Instructions for Printed T-Shirts

Print longevity is decided at the washing machine more than at the press.

Turn the garment inside out before washing. This one habit does more than everything else combined — abrasion against the drum is what degrades a print.

Wash cold, at 30°C or below. Heat softens plastisol and DTF films and accelerates cracking.

Use mild detergent. Avoid bleach and avoid harsh detergents entirely.

Do not iron directly onto the print. Iron inside out, or place a cloth over the design. A hot iron on a DTF or vinyl print will ruin it in seconds.

Dry in shade. Direct sun fades both fabric and print. Tumble drying on high heat is the fastest way to destroy a print.

Wait before the first wash. Give a freshly printed garment at least 24 hours to cure fully.

Sublimated polyester is the exception to most of this — the dye is in the fibre, so there is no layer to crack. Ordinary care still protects the fabric.

How Kapricorn Prints Helps You Get This Right

We have run digital and commercial printing from Jayanagar for a decade, with screen printing, DTF, sublimation, heat press and finishing all in-house. That matters for two reasons: nothing waits on an outside vendor, and we are not incentivised to recommend the one process we happen to own.

In practice, most customers arrive with a garment in mind and a method already chosen — and are frequently better served by a different combination. A fest committee that asked for DTF often wants screen printing. A company ordering printed polos usually wants embroidery. A team ordering “printed jerseys” wants sublimation. Getting that call right before production is where the money is saved.

Tell us the quantity, the garment, the artwork, the deadline and the budget, and we will tell you which process fits — including when the answer is the cheaper one.

Frequently Asked Questions

Is there a minimum order for T-shirt printing?

No. Single pieces are normal for personalised and gift orders, and DTF makes them practical. Screen printing is quoted from medium quantities upward, where its setup cost becomes worthwhile.

Which printing method is cheapest?

It depends entirely on quantity. For one or a handful of shirts, DTF. For large runs of the same design, screen printing is dramatically cheaper per piece. There is no method that is cheapest at every volume.

Can I bring my own T-shirts?

Often, but confirm first. The fabric determines which processes are possible, and sublimation requires polyester specifically. We also cannot guarantee results on garments we did not source, since we cannot verify the fabric composition or finish.

Should I choose cotton or polyester?

Cotton for comfort and all-day wear. Polyester for sport, sweat and outdoor activity. Blends where cost matters and wear is occasional.

What GSM is best for T-shirts?

160–180 GSM suits most orders. Go to 180–200 for uniforms and merchandise where feel matters, and 140–160 for high-volume giveaways.

Why does printing on black T-shirts cost more?

Dark garments need a white underbase beneath the design so colours read correctly. That is effectively an additional print layer, in both ink and labour.

Which method is best for photographs?

DTG on high-cotton garments for the softest result, or DTF for versatility across fabrics. Screen printing is not suited to photographic artwork.

Can every T-shirt have a different name or number?

Yes. DTF handles this on any fabric, and sublimation handles it on polyester jerseys at no meaningful extra cost. Screen printing does not — each variation is a separate setup.

Should I print or embroider my company logo?

Embroider on polos, uniforms, caps and jackets. Print for large graphics and on standard tees. Many organisations do both on the same garment.

How long does T-shirt printing take in Bangalore?

Typically two to three working days after artwork approval and stock confirmation. Personalisation, embroidery digitising and large size-graded runs take longer. Urgent work is often possible if the deadline is known upfront.

How long will the print last?

Sublimated polyester effectively lasts the life of the garment. A well-cured screen print survives dozens of washes. DTF and DTG last well with cold washing, inside out, and no direct ironing. Care matters more than method.

What file should I send?

Vector (AI, EPS, PDF) for logos and flat artwork. For photographs, a 300 DPI PNG or TIFF at final print size. Convert fonts to outlines.

Related Guides

• DTF vs DTG vs Screen Printing: Which T-Shirt Printing Method Is Best?
• T-Shirt Printing in Bangalore
• Corporate T-Shirt Printing in Bangalore
• Screen Printing in Bangalore
• Jersey Printing in Bangalore
• Sublimation vs UV vs Screen Printing for Mugs

Get a T-Shirt Printing Quote in Bangalore

Kapricorn Prints provides screen printing, DTF, DTG and sublimation for custom T-shirts, corporate uniforms, college fests, events, jerseys, promotional campaigns and personalised gifts — produced in-house in Jayanagar, Bangalore.

To receive a quotation, share your artwork, quantity, garment type, colour, size breakdown, print positions and required delivery date. Request a T-Shirt Printing Quote or contact Kapricorn Prints directly on 99011 43583.